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Madman

Luis Buñuel

Born: 22 February, 1900
Died: 29 July, 1983
Country of Birth: Spain

"Fortunately, somewhere between chance and mystery lies imagination, the only thing that protects our freedom, despite the fact that people keep trying to reduce it or kill it off altogether."

Biography

Born into a wealthy Aragonese family in Calanda, Spain, Luis Buñuel Portoles' formative years exposed him to the influences that would continue to be evident in his final works. Subject first to the strict educational regimen of the Jesuits, Buñuel entered the intellectual hothouse of the Residencia de Estudiantes at the Universidad de Madrid in 1917, where he met artist Salvador Dalí and poet Federico Garcia Lorca - two men who shared his passion for the avant-garde and the absurd.

Moving to Paris in 1925, Buñuel worked as assistant to director Jean Epstein before collaborating with Dalí to create Un Chien Andalou (1929), a film which casts a much longer shadow than its mere 17 minutes would presume. A year later, he and Dalí fell out over their next production, L'Age d’Or. Buñuel formally broke with The Surrealists in 1932, returning to Spain where he filmed the leftist/surrealist documentary Las Hurdes (Land without Bread), and continued to work as a producer until his Republican sympathies forced him into exile during the Spanish Civil War.

Lured to Hollywood, Buñuel found work did not materialise, and was forced to undertake Mexican studio projects. His 1950 masterpiece, Los Olvidados , won the Prix de la Mise en Scène (Best Director award) at Cannes, and marked Buñuel’s international comeback. It was only after the age of 60, however, that Buñuel entered an unparalleled renaissance, making what are regarded as his best films.

The monarchist dictator General Francisco Franco invited Buñuel home in the early 1960s, offering a free hand to Spain's most famous director. Giving voice to the obsessions that had plagued him since his education, the Palme d'Or winning Viridiana (1961), incurred the wrath of both the Vatican and Franco (who banned the film in Spain) for its scathingly acerbic views on the Catholic Church. Returning to Mexico, he revelled in the surrealistic ridicule of bourgeois paralysis, El Àngel Exterminador (1962), before being offered work in France by producer Serge Silberman.

Buñuel's French period, lasting from Diary of a Chambermaid (1964) until his 1978 retirement included many of his most renowned films - Belle de Jour (1967), Le Charme Discret de la Bougeoisie (1972) and Cet Obscure Objet du Desir (1977) - and displayed his lifelong preoccupations with the Church and the Elite.

Luis Buñuel died in Mexico City in 1983.

Filmography

1977 CET OBSCUR OBJET DU DÉSIR (THAT OBSCURE OBJECT OF DESIRE)
1974 LE FANTÔME DE LA LIBERTÉ (THE PHANTOM OF LIBERTY)
1972 LA CHARME DISCRET DE LA BOUGEOISIE (THE DISCREET CHARM OF THE BOURGEOISIE)
1970 TRISTANA
1969 LA VOIE LACTÉE (THE MILKY WAY)
1967 BELLE DE JOUR
1965 SIMÓN DEL DESIERTO (short)
1964 LE JOURNAL D’UNE FEMME DE CHAMBRE (THE DIARY OF A CHAMBERMAID)
1962 EL ÀNGEL EXTERMINADOR (THE EXTERMINATING ANGEL)
1961 VIRIDIANA
1960 THE YOUNG ONE / WHITE TRASH
1959 LA FIÈVRE MONTE À EL PAO (FEVER RISES IN EL PAO)
1959 NAZARíN
1956 LE MORT EN CE JARDIN (DEATH IN THE GARDEN)
1956 CELA S'APPELLE L'AURORE (THAT IS THE DAWN)
1955 EL RIO Y LA MUERTE (THE RIVER AND DEATH)
1955 ENSAYO DE UN CRIMEN (REHEARSAL OF A CRIME)
1954 LAS AVENTURAS DE ROBINSON CRUSOE (ROBINSON CRUSOE)
1954 ABISMOS DE PASIÓN (WUTHERING HEIGHTS)
1954 LA ILUSIÓN VIAJA EN TRANVÍA (ILLUSION TRAVELS BY STREETCAR)
1953 EL
1953 EL BRUTO
1952 UNA MUJER SIN AMOR (A WOMAN WITHOUT LOVE)
1952 SUBIDA AL CIELO (MEXICAN BUS RIDE)
1951 LA HIJA DEL ENGAÑO (DAUGHTER OF DECEIT)
1951 SUSANA (THE DEVIL AND THE FLESH)
1950 LOS OLVIDADOS
1949 EL GRAN CAVALERA (THE GREAT MADCAP)
1947 GRAN CASINO
1933 LAS HURDES (LAND WITHOUT BREAD, documentary short)
1930 L’AGE D’OR (THE GOLDEN AGE)
1929 UN CHIEN ANDALOU (AN ANDALUSIAN DOG, short)

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